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THOUGHT FACTORY: A SILENCE THAT SHOUTS
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ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025
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BOLLYWOOD: THE IMMORTAL MAJESTY OF SHOLAY
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Thought Box
Signs of the time: What Gandhi didn’t want
Humra Quraishi looks at the indiscriminate violence taking place around the country ironically on Gandhi Jayanti, the birth anniversary of the Mahatma whose belief in seculari...
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Signs of the time: The trauma generation
Humra Quraishi looks into reports, that are available, to find out about the fears and anxieties of the present youth and children in the State of Jammu and Kashmir. I&...
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Widening the Definition of Literature with Bob Dylan
The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Nevertheless it evokes the co...
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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema
In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespeare’s Othello, with Macbeth and Julius Caes...
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Times of Indian Politics
Farrukh Dhondy makes an attempt to understand Indian Politics in context to the self-imploding ideology of Hindutva In the last decade of the last century Britain’s Lab...
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Mirror, Mirror on the Wall
In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7), a vain pop singer Cléo (Corinne Marchand) has two hours...
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The Hazards of Adaptation: Chimamanda Ngozi Adichie
Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half of a Yellow Sun by Chimamanda Ngozi Adichie in p...
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Bigotry threatens India’s Constitution
To defend India, we must protect the idea of India as Mahatma Gandhi, Sardar Vallabhai Patel, and BR Ambedkar envisioned it, writes SN Sahu None of these stalwarts of th...
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The Art of Ramkinkar Baij
Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pioneer. ‘He reflected the vibrancy of local ...
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A Fragmented Sky
Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian culture and its present. My nanna carried her paanda...
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