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TRIS FEBRUARY 2026 EXPLORES CINEMA ART CONSCIENCE
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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES
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MARDAANI 3 RETURNS WITH GRIT AND LIMITS
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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE
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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
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Bollywood
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MERE PAAS MAA - SORRY, MOM HAI!!
Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses the changing face of ‘Maa’ in tinsel t...
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Grandma Dearest
Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cinema. She was just seventeen. And her life brimme...
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SMOOCH: Bollywoods Shaky Affair With The Kiss?
Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the coochie-cooing birds and swaying flowers to awkward sn...
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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN
One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best musical score in an Amitabh Bachc...
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The Rekha Mystique
Khalid Mohamed escorts us back to an up-close-and-personal interview with the eternally enigmatic Rekha Anytime is Rekha time. Characteristically, she has kept a lower-than-l...
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The Natural
Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsmanship of pre-eminent directors. She’s an ...
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Director’s Cut
Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout his estimable career. Stalwart producer-director ...
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A SUITABLE MAN
Khalid Mohamed’s freewheeling chatfest with Saif Ali Khan, on his change-over from being ‘flighty’ to becoming a mature actor and a devoted family man. Once...
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The uphill struggle to adulthood
A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar. With her third outing, Rima Das has honed a lyrical, realistic cinematic idiom that conside...
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