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IAA LEADERSHIP AWARDS HONOUR ICONS
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JJ SCHOOL’S FREEDOM ART REVEALED
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OHH MY DOG: LOVE, LOYALTY, LOSS
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INDEPENDENT CINEMA FINDS ITS AUDIENCE
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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE
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GOODBYE SHATTERS THE NARRATIVE GRAMMAR
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REBUILDING CONFIDENCE AFTER CAREER BREAKS
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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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Thought Box
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When stories divide…
Humra Quraishi expresses her apprehensions about the divisive politics being played today and what is means for the Indian Muslim. We aren’t born to experience tra...
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ACTOR with a CAUSE
Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with his performances in A Thursday and Rudra. At th...
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MUJIB: The Making Of A Nation
Aparajita Krishna has brief but deep conversations with director Shyam Benegal, co-writer Atul Tiwari and costume designer Pia Benegal of the soon to be released film Mujib: T...
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Music Knows No Caste
After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabnam Ferdousi’s debut featur...
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Crime Drama, Women and Claude Chabrol!
Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women characters as Claude Chabrol does”. I am writing ...
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Threatened to vacate this earth
Humra Quraishi responds to the film The Kashmir Files, making headline news across media today, with a reminder to the many human tragedies taking place across a highly commun...
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The Human Voice
Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997), replays an insightful conversation with the legendary qawwali an...
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Manasi Rachh: In the Spotlight
Aparajita Krishna traces actor, model Manasi Rachh’s interesting journey across theatre, films and now web-series. Manasi Rachh on her petite frame carries a very photo...
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Is Shaadi, Barbaadi??
\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and blind panic for youngistan? Mon...
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50 years of "The Godfather"
The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the film’s 50th anniversary. The year was 1981...
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