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FESTIVALS: A JOURNEY FROM MIFF TO GLOBAL FILM FORUMS

From cherished memories at MIFF to engaging discussions with filmmakers across India, Utpal Datta’s journey highlights t...

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ALTERNATIVE ENTERTAINMENT: SHYAM BENEGAL’S MANTHAN

Thanks to the efforts of the Film Heritage Foundation, Shyam Benegal’s masterpiece has reached a new generation, proving cinema’s p...

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POWERFUL PEOPLE: INFINITE GENIUS, BOUNDLESS THEATRE

Nadira Zaheer Babbar inhabits the same universe where I met her in 1984. Today, she is as intense and powerful as a thousand times more, and it...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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BOLLYWOOD TIK-TALK: ANIMAL ADVANCE BOOKINGS GO THROUGH THE ROOF AND MORE NEWS

The #Newsdesk gets you the latest on what’s going on in Bollywood: Ranbir Kapoor, Saloni Batra, Nargis Fakhri, Priyanshu...

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THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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