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Thought Factory

RHYTHM’S CHOSEN CHILD

Here Sharada Ramanathan goes back and forth in time to understand the towering Tabla maestro Ustad Zakir Hussain’s geniu...

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Festivals

KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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Gender

THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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Thought Factory

WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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Powerful People

DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

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Festivals

Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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Thought Factory

BLAZE: THE WALTZ OF GRIEF AND RESILIENCE

In this interview with the authors of the book ‘Blaze’, Nidhi and Sushil Poddar, Shantanu Ray Chaudhuri asks ...

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Movies

The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

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Thought Factory

CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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Powerful People

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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