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EK LAMHA ZINDAGI: LOVE BEYOND BORDERS Juhi Babbar
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SHATRUGHAN SINHA & MENEKA GANDHI LAUNCH TOXIC
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INDIAN DIASPORA CINEMA SHINES GLOBALLY
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SATYAJIT RAY IN COLOUR UNVEILED
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VIBE FINDS COMIC RHYTHM
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THROUGH HER EYES: ART RESISTS VIOLENCE
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2xI WILL GO? YES NO: MONOJIT LAHIRI
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DAAYRA CHALLENGES JUSTICE MORALITY
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KARUNA SAMTANI AND THE TELE-REVOLUTION
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A CONVERSATION THAT STAYS WITH YOU
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Gender
CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER
Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not? First things first. Only guys in dire need of an instant brain transplant per...
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“ME & HOUSE WORK? ARE YOU NUTS ???”
Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera Bharat Mahan a reflection of all that is truly mah...
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Unholy Propaganda
As the debate on the Uniform Civil Code rages, Humra Quraishi clears the many misconceptions there are floating around, about Muslims, because of the relentless Right-Wing pro...
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WOMEN OF STEEL
Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful reach out to them, writes Humra ...
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Fourth Edition of SamaBhav Ends
The fourth edition of SamaBhav, which ended on 22nd August 2022 in Dhaka Bangladesh has so far traveled to 31different cities and 14 Rural Districts in India, reports The Dail...
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Lenses, Women & Trauma
Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving around it, writes Vandana Kumar. &ls...
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Whose Wedding Is It Anyway?
What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks Janaky Sreedharan Curiously, this event has become a com...
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Women and Welfare
Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after pushing populations back to poverty and not before...
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Women in Cinema Collective: A Work In Progress
“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played by Women in Cinema Collective (WCC) in the Malay...
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