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JJ SCHOOL’S FREEDOM ART REVEALED
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OHH MY DOG: LOVE, LOYALTY, LOSS
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INDEPENDENT CINEMA FINDS ITS AUDIENCE
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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE
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GOODBYE SHATTERS THE NARRATIVE GRAMMAR
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REBUILDING CONFIDENCE AFTER CAREER BREAKS
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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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DINESH RAHEJA’S POETRY OF LONGING
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Thought Factory
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At Vanishing Point
As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face of Malabar Hill, the city’s prime neighbourh...
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A Bouquet of Talks
This is a bouquet of assorted fragrances, writes Aparajita Krishna These are narrations that are independent of each other and yet appear to me to be tied with a common threa...
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Democracy Hypocrisy
Should we not apologize for having denied MF Husain his right to freedom of speech and expression, writes Vinta Nanda Since the present Indian government has supported Franc...
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Muslim, Christian & Hindu: Kiran Manral
Some time ago in pre-COVID times, I was in a room full of friends and when I sit back to recall, what comes to mind is that which perfectly defines the interdependence of peop...
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Fly in the ointment: TRP’s
When ‘life’ jives with storytelling evolution happens, writes Vinta Nanda Raj Kapoor said in a documentary film made by his daughter Ritu Nanda, “Money, po...
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To be Amitabh Bachchan
On the event of the superstar’s 78th birthday, here’s a photo-essay by the top-of-the line photographer Subi Samuel At 78 today (October 11), he’s still bat...
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The truth about Lies
One of the most defining images of our times is that of Prime Minister Narendra Modiji inaugurating the Atal Tunnel, writes Vinta Nanda. He was inaugurating the nine-kilomete...
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Gas-lighting: The News Normal
Vinta Nanda analyzes the news media as it stands today and what it can achieve for its mass audiences if it so chooses to do. The news, in layman terms, is the transfer of th...
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A Ringside View of Circus
Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and awe of incredible movement. To evoke those leaps,...
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Brush with controversy
Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, limited print editions and sketches are considered a...
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