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PRESERVING JAMSHEDPUR'S LIVING LEGACY
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THERE IS ALWAYS ROOM AT THE TABLE
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AI, CREATIVITY AND PURPOSE UNITE
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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT
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WHY MOTHERS ECLIPSE FATHERS DAILY
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HINDI CINEMA: UNDER HOLLYWOOD’S HAT
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PRAMOD PAWAR HONOURED FOR THEATRE
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GOVERNOR REWRITES HISTORY FOR POLITICS
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COURAGE AMID MUMBAI'S DARKEST NIGHT
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A STORY BURIED BENEATH PARTITION'S ASHES
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Alternative Entertainment
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Abanindranath Tagore: The enigmatic original who wrote art and painted words
The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray Chaudhuri Abanindranath Tagore (1871-19...
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Soumitra Chatterjee: A Filmmaker Remembers
In a freewheeling conversation with Anuradha Warrier, critically-acclaimed director Suman Ghosh talks about his forthcoming book, Soumitra Chatterjee: A Film-maker Remembers, ...
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When Atul Met the Movies
Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art and cinema. Quite symbiotically, the film image ev...
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Revisiting Mani Kaul’s Mini-series Ahmaq
Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam. The critics and audience alike, largely rejected Mani Ka...
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Seizing the moment: Ravi K. Chandran
Eminent cinematographer, Ravi K. Chandran in conversation with Khalid Mohamed, on the unfettered joys of still photography. Perhaps the most familiar quote about still photog...
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The films of Maya Deren
Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes Devdutt Trivedi The actor embodies the M...
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The Indian ‘New Wave’ for the Millennial
Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from about 50 years ago, writes Prof....
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A Faust for Bangladesh
Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Having worked with British Bangladeshi theatre di...
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A look back at Mira Nair’s tale of Home: Mississippi Masala
Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home’ and ‘belonging’. Mississippi Mas...
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Claude Chabrol and The Poetics of Murder
My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). My admiration of the director gre...
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