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TRIS FEBRUARY 2026 EXPLORES CINEMA ART CONSCIENCE
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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES
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MARDAANI 3 RETURNS WITH GRIT AND LIMITS
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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE
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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
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Alternative Entertainment
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
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MAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
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Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
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Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
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Bengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...
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Ballavpurer Roopkatha: A Director In-charge
Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to remain a director’s medium, by taking Anirban B...
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SUPPORTING ACTORS KA TIME AAGAYA!
Monojit Lahiri investigates the phenomenon of supporting actors in Bollywood transitioning from being sideys in the past to taking center stage today. Times, they sure are a ...
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