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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India.  Some, more mainstream than the others, in a Whatsapp group comprisi...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York Indian Film Festival. Perhaps there is nothing ...

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Vanishing Act II: Bollywood actresses who disappeared

Film historian, Dhruv Somani, pens a sequel to his study on the actresses who retreated into the shadows Here’s expressing my gratitude for the overwhelming response to...

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When words are just not enough….

I write this with a heavy heart, says Rujuta Vaidya as she remembers her time-spent learning dance choreography from the unparalleled to date, Saroj Khan, her Masterji. As my...

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is currently in an uneasy pause. The flip side of ...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies, whether he is in his homeland Kerala, Vadodara o...

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Celebrity endorsements hit by COVID-19

Indian Institute of Human Brands (IIHB) has released a report on celebrity compensation which states brands expect celebrity fee to drop by 20-30 per cent IIHB has released a...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abst...

March 29 2026

A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine ...

March 28 2026

BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving...

March 27 2026