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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects that anomaly, writes Shantanu Ray C...

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Simply a storyteller: Mitra Phukan

It is my privilege to introduce, to those among you, who don’t know her, Mitra Phukan - a writer, author and thought leader - writes Vinta Nanda Her published litera...

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Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film historian Dhruv Somani. From th...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separate instances with regard to dialogue and discuss...

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Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, writes on the significance and evolution of image-ma...

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Gentleman Extraordinaire: Phani Majumdar

Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man extraordinaire.  I have no recollection why I went to meet the ve...

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Drishadvati: The daughter of Yayati

Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest Reshaping age-old Indian myths into delectable reading experiences has becom...

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Paap: Antim Pawrbo and Mouchak

While Paap passes muster, Mouchak scrapes the bottom of the barrel. Shantanu Ray Chaudhuri writes. Two new web series from Hoichoi - a murder mystery (Paap: Antim Pawrbo) a...

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cinema in Hollywood pushed boundaries by depicting al...

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The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later. This one’s a keeper. An alluring film, directed by Chetan Anan...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine ...

March 28 2026

BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving...

March 27 2026

BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bol...

March 26 2026