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Imagination: The fodder of existence
An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar Set up and pay-off has always been at the helm of narrative fiction dealing with d...
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WWI’s Event Education Festival
The event pioneered by WWI School of Event Management marked the presence of industry stalwarts such as Brian Tellis, Mohomed Morani and Vikas Menon among other...
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Only About Ground Realities
YASHWANT SINHA, choice of the opposition parties as the next President of India, is rational; he talks about ground realities with conviction and passion, writes Humra Q...
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When Disaster Strikes
Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tragedy. Movies about doomsday predictions have al...
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The King & I!
Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi when he first met SRK - and recalls another day. It...
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‘You Want Crorepati Glasses?’
It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the ever-ballooning influence of Bollywood on our da...
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Srijit Mukherji: A Filmmaker at a Crossroad
Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri looks at his recent releases and catches up with ...
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ILA ARUN: GIVING VOICE TO LIFE
Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna Over the decades she steadfastl...
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A COUNTRY CALLED CHILDHOOD: A MEMOIR
BOOK REVIEW: Actor Deepti Naval’s journey into her childhood is one from the heart, funny and moving in the same breath. Shantanu Ray Chaudhuri reviews a remarkable memo...
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The Two Who Went Away
Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prematurely. She was a former Miss India, and a succ...
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