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OHH MY DOG: LOVE, LOYALTY, LOSS
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INDEPENDENT CINEMA FINDS ITS AUDIENCE
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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE
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GOODBYE SHATTERS THE NARRATIVE GRAMMAR
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REBUILDING CONFIDENCE AFTER CAREER BREAKS
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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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DINESH RAHEJA’S POETRY OF LONGING
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HOW AIRTEL'S SOUND BUILT IDENTITY
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True Review
Evolution of Pakistani TV Shows– Part 2
After receiving a great response on the first episode of Evolution of Pakistani TV Shows, I received many messages on social media and I was delighted to know that even today,...
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HIGH FIVE: Time for Some hoichoi
Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali OTT platform. As it steps into its fifth year, co-founder Vishn...
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The Mystery of the Missing Earri
Juhi Saklani looks back at Hindi films to trace the role of the jhumka, gale ka haar and paayals in storytelling, which convey various things to the audiences. Search for my ...
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An anthem and counter-anthems: Pyaasa
This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Juhi Saklani An auditorium, about three q...
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Hello, says the killer: Mukhosh
This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray Chaudhuri The serial killer film as a...
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Back to the Future
Film historian, Dhruv Somani, in conversation with the charismatic film and TV actor, Eijaz Khan, who wowed viewers with Big Boss 14 and the series City of Dreams If Shah Ruk...
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BINISUTOY - Without Strings…
Atanu Ghosh’s new film weaves a delightful tapestry that defies genre pigeonholing, writes Shantanu Ray Chaudhuri A father and son out on a morning walk. The la...
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Unusual suspects
Film historian, Dhruv Somani, re-assesses the nail-biting murder mystery Khamosh made by Vidhu Vinod Chopra, way back in 1980s. Don’t go by the famous “Khamosh!...
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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni
Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptation of Mohammed Nazim Uddin’s novel fails to...
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Bringing up Baby
On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywood movies. The recent Netflix showcased film Mi...
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