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True Review
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Paap: Antim Pawrbo and Mouchak
While Paap passes muster, Mouchak scrapes the bottom of the barrel. Shantanu Ray Chaudhuri writes. Two new web series from Hoichoi - a murder mystery (Paap: Antim Pawrbo) a...
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The Afterlife of Kudrat
Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later. This one’s a keeper. An alluring film, directed by Chetan Anan...
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Against All Odds
Film historian Dhruv Somani, tracks the once super-successful career of the underappreciated playback-singing career of Hemlata, who inexplicably quit the Bollywood music scen...
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Reel Nurses
Film historian Dhruv Somani, recalls the Florence Nightingales of Bollywood cinema. The nursing staff has been working relentlessly throughout the pandemic. They are the wo...
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Of Dev Anand’s James Bond-like adventure
Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star’s second bid at international stardom afte...
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Mohomaya Chapter 2
Shantanu Ray Chaudhuri: Chapter 1 of Mohomaya, a first-of-its-kind psychological/horror experience for a Bengali OTT platform, was skating on thin ice from somewhere midway th...
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Bees Saal Baad Revisited
Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever since it was premiered in 1962. We often wonder wh...
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After a Pause
Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers. Once an actor always an actor - oftentimes,...
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Look back in affection
Film historian Dhruv Somani, rewinds to the year 1980, which witnessed a spate of hits and sparked its abiding romance with the Bollywood movies. It was a landmark year dot...
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Frankly Speaking
Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke Jharokon Se, Tarana and Satte Pe Satta, for a free...
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