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COCKTAIL 2 TESTS LOVE’S LIMITS
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PRESERVING JAMSHEDPUR'S LIVING LEGACY
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THERE IS ALWAYS ROOM AT THE TABLE
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AI, CREATIVITY AND PURPOSE UNITE
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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT
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WHY MOTHERS ECLIPSE FATHERS DAILY
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HINDI CINEMA: UNDER HOLLYWOOD’S HAT
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PRAMOD PAWAR HONOURED FOR THEATRE
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GOVERNOR REWRITES HISTORY FOR POLITICS
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COURAGE AMID MUMBAI'S DARKEST NIGHT
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Thought Box
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UNCERTAIN TIMES AHEAD
Humra Quraishi has a view on the uncertainties that loom large upon the masses, as the government of the day remains more focused on playing politics than on governance. The ...
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Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
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CASTE, RELIGION AND LEARNING GAPS
In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Quraishi revisits the discussion on learnin...
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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!
Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion in India. Drishyam 2 is Cine-India 2022’s l...
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Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
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Government in Hibernation - Lay-offs Rampant
Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes Satyabrata Ghosh. Amazon,...
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WHO’S AFRAID OF FILM CRITICS?
Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from those who view cinema as pure entertainment and ...
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URMI JUVEKAR: The Storyteller
Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersive experience with this collectors piece for scree...
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Art of Lines & Commas
Khalid Mohamed in conversation with Ashok Namdeo Hinge, calligrapher, graphic designer and abstractionist, well-known for the creative use of lines and commas in his multiple ...
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Bengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...
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