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FESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!

The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...

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ALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON

‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...

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POWERFUL PEOPLE: DEBASMITA DASGUPTA HAS COME A LONG WAY

“The most gratifying part of running this publication is that unique and immensely talented people connect with me”, writes Read More

ALTERNATIVE ENTERTAINMENT: THE RISK TAKERS BY SIDDHESH PANDEY

Siddhesh Pandey’s poignant exploration of Mumbai’s unsung heroes is heartening and life-affirming, reports Vinta Nanda. &ld...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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FESTIVALS: OPENING AND CLOSING FILMS AT KASHISH 2024

KASHISH 2024 unfurls Diversity with Gender-Queer and Transman focused films as its Opening & Closing films, reports the #Newsdesk Read More

THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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THOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?

Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...

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