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Scripting doomsday!

In the last few years, which were bedevilled with ambivalence, ambiguity and plain misunderstandings, statements of people in power or celebrit...

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HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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The Mystery of the Missing Earri

Juhi Saklani looks back at Hindi films to trace the role of the jhumka, gale ka haar and paayals in storytelling, which convey...

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The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda

Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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Unusual suspects

Film historian, Dhruv Somani, re-assesses the nail-biting murder mystery Khamosh made by Vidhu Vinod Chopra, way back in 1980s...

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Sign of the times: The War Within

Humra Quraishi explains the position of Muslim minorites in ‘new’ India and meets VK Tripathi and M. Y. Tarigami t...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Signs of the time: Rape, the weapon of mass destruction

Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessne...

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