MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI

On the Mahatma’s 154^th birth anniversary, Humra  Quraishi brings snatches of conversations she’s h...

ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

FROM RAKESH BEDI, WITH LOVE!

Vinta Nanda takes a tour around the life of writer, playwright, dramatist and actor Rakesh Bedi along with him in this intervi...

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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FROM…PHOOLON KI RAANI, BAHARON KI MALLIKA…TO CHOLI KE PEECHE KYA HAI?!

Bollywood’s amazing story of lyricists and lyrics down the decades - Monojit Lahiri lays it on the line.  

ABOUT FACING CHALLENGES AND STAYING STRONG!

Humra Quraishi comments on the deceptive times that we live in, and harks back to the encouraging and motivating words of Khus...

BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan