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Thought Factory

When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Thought Factory

Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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Alternative Entertainment

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Movies

The Woman in White

Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...

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Alternative Entertainment

Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

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Movies

Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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Alternative Entertainment

The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Hollywood

A Manhattan state of mind

Woody Allen’s ‘Manhattan’ is a 1979 American romantic comedy film produced by Charles H. Joffe, writes Vandana Kumar<...

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Thought Factory

The Iconoclast

Long before Angela Merkel became a messiah for Arab migrants and courted controversy, there was Adolf Hitler wh...

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Alternative Entertainment

The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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