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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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All that’s wrong with the discourse surrounding Rape

In the aftermath of the brutal rape and murder of a Hyderabad Vet and the encounter of the accused that followed, there has come to the fore an...

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Of Optics and Opportunism

“We are not to empathise anymore with human pain if it inconveniences entrenched power structures and the politics of privilege. Ever...

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The legend of Raj Kapoor in times of hyper PR

“Awara is a classic. The times in which it was made were very different. Gone With the Wind was the flavor of the seaso...

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In spoiler fight, Hollywood has its free-speech moment

Steven Zietchik reports in the Washington Post that, it began with a few sentences from Quentin Tarantino.

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Why I will invest in the Congress! Rudresh Kaul

Rudresh Kaul writes, “I have always believed that learning and sharing go hand in hand.”

UN experts urge States to ‘stem the tide of hate and discrimination’

Marking the International Day for the Elimination of Racial Discrimination several top UN officials and human rights expe...

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Who is Teesta Setalvad?

She’s simple, strong and she talks straight. She’s also one of the very few among us, who remains c...

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