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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Remembering Hollywood’s Cleopatra!

A Timeless Movie Queen, Ageless Screen Legend, Matchless Star, writes Monojit Lahiri, on Elizabeth Taylor’s 88th Birth A...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Ma Tujhe Salaam!

A cursory look will reveal to you just her outer sheen - a talented, smart, confident woman, full of laughter a...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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