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Clicking London

Vatsal Shah’s photo-essay set in the British capital, where the only constant is change.

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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So much hokum-pokum

Khalid Mohamed reviews the time-travel series JL 50, the documentary  Social Dilemma and ...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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