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Gender
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Fourth Edition of SamaBhav Ends
The fourth edition of SamaBhav, which ended on 22nd August 2022 in Dhaka Bangladesh has so far traveled to 31different cities and 14 Rural Districts in India, reports The Dail...
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Lenses, Women & Trauma
Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving around it, writes Vandana Kumar. &ls...
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Whose Wedding Is It Anyway?
What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks Janaky Sreedharan Curiously, this event has become a com...
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Women and Welfare
Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after pushing populations back to poverty and not before...
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Women in Cinema Collective: A Work In Progress
“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played by Women in Cinema Collective (WCC) in the Malay...
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Land of Unsuitable Women
We are witnessing in the state of Kerala today a spurt in unsuitable women - women who are undaunted naysayers, living or dead, writes Janaky Sreedharan “The one not no...
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Evening Shadows wins at Yatha Katha film festival
Sridhar Rangayan’s Gulabi Aaina and Evening Shadows to screen at Hyderabad Queer Film Festival Sridhar Rangayan’s feature film Evening Shadows continues its winni...
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Signs of the time: Rape, the weapon of mass destruction
Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessness with which her body was cremated to destroy al...
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Jai Siya Ram…
Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the political playground recently. I woke this morni...
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