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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Alternative Entertainment
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Black-and-white in colour
Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a champagne-bubbly afternoon in Paris. Jean-Paul Goude...
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Faces of Rajasthan
Khalid Mohamed in conversation with photographer Chandan Das on his tryst with photography and other creative arts. He has a discerning taste for silk fabrics and ethnic art ...
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Eternal Virgin: Setsuko Hara
Among iconic names like Ozu, Kurosawa, Immamura and Koreeda is the name of Setsuko Hara who is celebrated as the ‘Eternal Virgin’, writes Rwita Dutta For the cine...
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Sculpting in Time
Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthetic and complexity. If time is monolithic then f...
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IT’S APPY NEW YEAR AND A BOUQUET OF TALKS
Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, Pritish Nandy, Mrinal Sen and Ma...
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Of human bondage
Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world’s most impactful living photographer today. Th...
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The outlier of French new wave: Claude Chabrol
In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of French film directors, writes Vand...
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My city, my friend
Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for street photography and more Without any trumpet bl...
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In gentle streets where people play
I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda Aroona Bhat, his partner in life, and he had dropped in at my sets alon...
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Missing Soumitrababu
The 1950’s down 70’s are often considered as the ‘Golden Era’ of Bengali Cinema, reminisces Rwita Dutta and she recalls those times through the cinema ...
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