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ART IS BORN FREE: TEJAS SONI’S JOURNEY
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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
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Journey of a Passionate Tale-Spinner
Janaky Sreedharan presents Nabanita Deshmukh, a storyteller who follows a unique process to engage with children. The last I saw her was in Jawaharlal Nehru University, New D...
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The Austere Ascetic
Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson. Jean Luc Goddard once said, “Robert Bre...
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Give peace a chance
Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentary, AHIMSA: Gandhi – The Power of the Powerl...
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Where Eagles Dare
People are experiences and experiences make interesting stories, says Yashika Begwani to me, writes Vinta Nanda She’s curious about learning, psychology, about th...
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The Cinema of Tengiz Abulnadze
All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key features of Georgian cinema, writes Monish K. Das Federico ...
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Takes tea to tango
A photo-essay by Ashis Ghatak on his tea-tasting spree in the Darjeeling hills. Sitting in the cozy glass-walled empty restaurant on the terrace of Cochrane Palace, whe...
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Black-and-white in colour
Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a champagne-bubbly afternoon in Paris. Jean-Paul Goude...
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Faces of Rajasthan
Khalid Mohamed in conversation with photographer Chandan Das on his tryst with photography and other creative arts. He has a discerning taste for silk fabrics and ethnic art ...
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Eternal Virgin: Setsuko Hara
Among iconic names like Ozu, Kurosawa, Immamura and Koreeda is the name of Setsuko Hara who is celebrated as the ‘Eternal Virgin’, writes Rwita Dutta For the cine...
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Sculpting in Time
Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthetic and complexity. If time is monolithic then f...
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