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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Alternative Entertainment
SAATH TERA: POETRY BECOMES SONG
Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, and the delicate journ...
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IDENTITY, EXILE, MEMORY AND DEATH
Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, exploring Mounissamy’s fractured French-India...
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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT
Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing, elevated by fine performances and a gentle cine...
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THIRTEEN DAYS WHEN HUMANITY HELD
At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history revisited, writes Vinta Nanda. It became a story ab...
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PINJAR REVIEW: FREEDOM BEYOND THE CAGE
Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible cages imprison lives across class,...
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THE JOY OF UNEXPECTED DISCOVERIES
At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaffirm faith in Indian cinema by privileging emotio...
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RAGHU RAI'S PHILOSOPHY OF SEEING
Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic integrity, visual storytelling, relationship with...
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THERE IS ALWAYS ROOM AT THE TABLE
As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroes, which emerges as a timely documentary tha...
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OF SHARED DESTINIES AND FRACTURED BONDS
Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home, memory, migration, and emotional estrangement with remar...
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I LIVE INSIDE THE VISUAL WORLD
Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum, visual storytelling, post-war memory, generational trauma, p...
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