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Thought Factory
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DILIP KUMAR: THE BIG BURGLAR
Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh Pandey What makes Dilip Kumar so ines...
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Drishadvati: The daughter of Yayati
Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest Reshaping age-old Indian myths into delectable reading experiences has becom...
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Disconnected democracy
Gautam Benegal discusses the twin pronged strategy applied by the present union government to establish absolute dominance. Do you see the connection between the advantageo...
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Those magical tours
Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier’s High School’s Scout Master Homi Lala. &n...
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A dog, a boy and a film: Musings on Kala
Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its display on screen in the name of settling certain ...
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When men change and repent: Cinema of Kenji Mizoguchi
Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of them. “The fruit of experience is beauty,&...
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As a year goes by
Khalid Mohamed remembers the super actor and always-supportive friend, Rishi Kapoor, on the event of his first death anniversary. Over a year of the pandemic has flown by t...
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Reflecting humanity through the struggle of a woman: Federico Fellini
Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. Nights of Cabiria (1957), is Fellini&rsq...
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An auteur in the true sense: Werner Herzog
The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric genius, Werner Herzog, writes Sharad...
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The genius of Jacques Tati
Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intellectual seduction of cinema love...
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