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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Alternative Entertainment
‘GOOD JOB NELIIMA!’
Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individualistic artist-woman. Neliima Azeem of beautiful ...
Read MoreSHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES
Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see the film Junoon, with his family. The year was 19...
Read MoreDEMOCRACY AND DISSENT
Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Quraishi’s commentary today is...
Read MoreTOLLYWOOD’S GIFTED ACTORS
Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the overwhelming popularity Bollywood ...
Read MoreYET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
Read MoreALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
Read MoreJAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
Read MoreUGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
Read MoreMAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
Read MoreDecoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
Read MoreRAMAYANA NEEDS MORE EMOTIONAL DEPTH
Epic Spectacle, Elusive Soul: Why the New Ramayana Needs More Heart. Piyush Roy examines...
November 10 2026RAMAYANA PART ONE: EPIC RETELLING
An epic retelling on a canvas of unprecedented ambition by Arnab Banerjee: Nitesh Tiwari...
November 8 2026THE NEW BUSINESS OF ENTERTAINMENT
When Brands Become The Storytellers: The New Business Of Entertainment: Vinta Nanda expl...
November 7 2026