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PRESERVING JAMSHEDPUR'S LIVING LEGACY
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THERE IS ALWAYS ROOM AT THE TABLE
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AI, CREATIVITY AND PURPOSE UNITE
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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT
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WHY MOTHERS ECLIPSE FATHERS DAILY
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HINDI CINEMA: UNDER HOLLYWOOD’S HAT
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PRAMOD PAWAR HONOURED FOR THEATRE
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GOVERNOR REWRITES HISTORY FOR POLITICS
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COURAGE AMID MUMBAI'S DARKEST NIGHT
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A STORY BURIED BENEATH PARTITION'S ASHES
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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
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MAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
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Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
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Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
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Bengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...
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Ballavpurer Roopkatha: A Director In-charge
Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to remain a director’s medium, by taking Anirban B...
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SUPPORTING ACTORS KA TIME AAGAYA!
Monojit Lahiri investigates the phenomenon of supporting actors in Bollywood transitioning from being sideys in the past to taking center stage today. Times, they sure are a ...
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On Watching Ponniyin Selvan
Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time when the aim of every filmmaker in post pandemic t...
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Memories of Underdevelopment
Sharad Raj writes, “Many consider Tomas Alea, the greatest filmmaker to emerge from Cuba and Memories of Underdevelopment is his most well-known film”. Those were...
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The Master: A Documentary
Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditorium on 13th October 2022 at 630pm. Wh...
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