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TRIS FEBRUARY 2026 EXPLORES CINEMA ART CONSCIENCE
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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES
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MARDAANI 3 RETURNS WITH GRIT AND LIMITS
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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE
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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
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Thought Factory
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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK
Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juvekar, Joy Bimal Roy, Puloma Pal, Vinod Ranganatha...
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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS
Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audience share today than ever before. In an explora...
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FATHER’S DAY: ARE DADS LESS IMPORTANT THAN MOMS?
Why is Mother’s Day celebrated with such blockbuster drama, passion and emotion, forever resonating big with the collective imagination, way beyond the low-key and tepid...
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FOCUSED AGENDA: CRONYISM AND HINDUTVA
Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the development that an enslaved media is constantly...
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CHARLES DARWIN IS THE ENEMY
Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th May 2023, with the convenient denial of science by a politics ...
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A MAN EXTRAORDINAIRE: ARUNBHAI GANDHI
She worked with him for twenty years and he remained a friend till his last days. Saroj Satija remembers Arun Gandhi in this tribute to the great man who lived each day of his...
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FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!
Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Seedha Bol! Jaldi Bol!! To the general public, fil...
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RETURN TO INDIA
An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back multiple memories. Dolly Thakore was born in Ko...
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FIFTY YEARS AFTER GARM HAVA
Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastava in his homage to the film Garm...
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DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??
Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion. “You are a Bong living in the so-called Cultu...
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