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SEVEN DAYS OF EXTRAORDINARY CINEMA
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ACTING, LYING, AND THE TRUTH
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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL
In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, cultural preservation, filmmaking, and h...
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BEYOND THE VOICE, SHIBANI KASHYAP
She Was Called "Just a Singer" Until She Wasn't... Sushmita Chaudhary reviews Shibani Kashyap's podcast with Sushma Gaikwad, about her journey through music, authorship and se...
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NANA PATEKAR: THE ACTOR UNFORGETTABLE
Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema, theatre and direction, marked by unforg...
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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA
Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience reach, financing, artistic responsibility,...
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YASH CHOPRA: BOLLYWOOD’S TIMELESS MAJNU
Monojit Lahiri remembers Yash Chopra, Bollywood’s quintessential romantic filmmaker, whose films transformed love, longing, poetry, music and old-world values into an en...
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WHEN GRIEF BECOMES ART
Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transform an artist’s inner life into stories that connect...
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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE
Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining its suspense, seamless translation, direction, p...
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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE
Prof Dr Avinash Kolhe reviews Subhedar Guest House, the Marathi adaptation of Agatha Christie’s The Mousetrap, examining its suspense, seamless translation, direction, p...
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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL
The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, as Abhishek Pathak explores whether a carefull...
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THE DAY A NEW INDIA CAME HOME
On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneering years, creative risks and why anothe...
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