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Brush with controversy
Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, limited print editions and sketches are considered a...
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Those Courtesan Days
Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars of tawaifs. The courtesan culture was once a soci...
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Whose Bollywood is it anyway?
Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief. I condemn her for the route she has taken to set...
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As Tears Go By
Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante group of four oppressed women of Karachi. Sprint to...
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Ways of seeing Mumbai
A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed Any highly-trained and accomplished photographer is more...
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Question of Homesickness
Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu Dhabi and other cities in the Gulf countries. Pho...
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The Bard of Bollywood: Gulzar
Humra Quraishi recalls her meetings with Gulzar. Born on 18th August 1934, his words that explore the complexities of life are contemporary It’s rare in these tim...
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To the story I was born
Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s recent political history This is a personal note ...
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Second Innings: MS Dhoni
It was an unforgettable sunset at 19:29 hours on Independence Day, writes Sandeep Goyal, as he explores possibilities in Mahendra Singh Dhoni’s onward journey. Ca...
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Patterns of Good Faith
On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs During these unprecedented COVID-19 times, my res...
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