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Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
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CASTE, RELIGION AND LEARNING GAPS
In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Quraishi revisits the discussion on learnin...
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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!
Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion in India. Drishyam 2 is Cine-India 2022’s l...
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“ME & HOUSE WORK? ARE YOU NUTS ???”
Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera Bharat Mahan a reflection of all that is truly mah...
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Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
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Two-in-one
Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous swag and style. Newcomers kickstart their careers...
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WE THE PEOPLE!
Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertainment is doing to young Indian minds. On this Hu...
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Government in Hibernation - Lay-offs Rampant
Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes Satyabrata Ghosh. Amazon,...
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WHO’S AFRAID OF FILM CRITICS?
Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from those who view cinema as pure entertainment and ...
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URMI JUVEKAR: The Storyteller
Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersive experience with this collectors piece for scree...
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