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BOLLYWOOD IGNORES WOMEN IN COMEDY
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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE
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HUSAIN’S JOURNEY THROUGH HIS MUSES
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WAR AND PEACE IN CONFLICT
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GUJARATI THEATRE PASSION AND PERFORMANCE
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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE
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IFFD 2026 OPENS GLOBAL DIALOGUES
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DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA
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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS
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THE CURIOUS CASE OF PRIYADARSHAN
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
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IS THE SLOGAN DYING?
Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future. Once upon a time, slogans & advertising were truly the m...
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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WE ARE SISTERS BORN
Humra Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after the Gujarat pogrom of 2002 The month of February ...
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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music, writes Aparajita Krishna. He i...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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WOMEN INTERRUPTED
Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film directors are not equal to the number of male di...
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I WENT TO HIS HOUSE AND SAW…
Humra Quraishi revisits an interview with Captain Lakshmi Sahgal, who questioned the mindless development that takes place in India. The questions she raised then remain unans...
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PATHAAN: IS IT A CINEMATIC MASTERPIECE?
Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics. The economic parameters within which mainstream cinema ...
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ABOUT BRINGING GURU DUTT TO BENGALI READERS
Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika. The end: It could ...
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