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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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FESTIVALS: A JOURNEY FROM ARGENTINA TO INDIA
Art often travels before we do, crossing landscapes, languages and lived experiences, forming bridges where maps would show oceans — this exhibition becomes a poetic mee...
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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS
Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his metier for 35 years. Usually a man of few words, he ...
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BOLLYWOOD: TRIUMPH THAT OUTLIVES THE WAR
A reflective, humanist reading of Sriram Raghavan’s Ikkis, Arnab Banerjee examines war beyond valor, locating memory, grief, and shared humanity in a film that resists s...
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TELEVISION: HOW I MET SATYAM, TRULY
A moving, intimate remembrance by Sharad Raj of writer Satyam Tripathi—his brilliance, arrogance, tenderness, creative agony, artistic integrity, and friendship—se...
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BOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO
Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic integrity and resistance to celebrity culture invite an intriguing...
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POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER
Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, performance, pedagogy, and cultural memory, The Dai...
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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES
A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender, labour, media, and love—asserting that thinking, w...
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RETROSCOPE: LOOKING BACK AT WHAT ENDURES
A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Satyabrate Ghosh revisited cinema’s ...
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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA
A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta Nanda, Sohaila Kapur, Monojit Lahiri, a...
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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE
A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, spectacle met conscience, and Bollywood revealed itself...
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