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SHRUTHY MENON ON WMNCOMM PODCAST
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SEVEN DAYS OF EXTRAORDINARY CINEMA
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ACTING, LYING, AND THE TRUTH
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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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Those Courtesan Days
Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars of tawaifs. The courtesan culture was once a soci...
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Whose Bollywood is it anyway?
Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief. I condemn her for the route she has taken to set...
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As Tears Go By
Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante group of four oppressed women of Karachi. Sprint to...
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Ways of seeing Mumbai
A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed Any highly-trained and accomplished photographer is more...
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Question of Homesickness
Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu Dhabi and other cities in the Gulf countries. Pho...
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The Bard of Bollywood: Gulzar
Humra Quraishi recalls her meetings with Gulzar. Born on 18th August 1934, his words that explore the complexities of life are contemporary It’s rare in these tim...
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To the story I was born
Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s recent political history This is a personal note ...
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Second Innings: MS Dhoni
It was an unforgettable sunset at 19:29 hours on Independence Day, writes Sandeep Goyal, as he explores possibilities in Mahendra Singh Dhoni’s onward journey. Ca...
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Patterns of Good Faith
On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs During these unprecedented COVID-19 times, my res...
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Of Epic Tales: Movie mythological of yore
Film historian, Dhruv Somani, takes you back to the time when the mythological genre captivated film audiences Once, mythological films were the staple products of our cinema...
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