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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE
A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and English subtitles—uniting De...
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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS
Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, amplifying outrage while masqueradin...
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THOUGHT FACTORY: MEDIA SHAPES MINDS AND MEMORIES
From Storytelling to Learning: How Media Shapes Minds and Memories, Deepa Bhalerao explores Hum Log, Entertainment-Education, and the evolving media landscape, where stories m...
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FESTIVALS: GAY FAMILY DRAMA GOES GLOBAL
The acclaimed and award-winning Hindi feature film Kuch Sapney Apne, centred around a gay couple and their family members, shot in India and Sweden, is all set to screen at th...
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ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE
Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the dreamily meditative and the tan...
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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE
In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journey as an author and pioneer reflects inclusivity, ...
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POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY
Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies with the partition-themed Lahore 1947 by Aamir Kh...
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BOLLYWOOD: THE NEW BLOCKBUSTER PHENOMENON
Attention Saiyaaara’s Dazzling Debutantes...Your Time Starts Now!! Monojit Lahiri pulls back in an attempt to focus on a film that’s become a monster hit, blitzing...
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BOLLYWOOD: SAME OLD LOVE STORY RETURNS
North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard Kerala aest...
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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM
From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj critiques postmodernism, plagiarism, caste commodification, and ne...
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