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As a year goes by
Khalid Mohamed remembers the super actor and always-supportive friend, Rishi Kapoor, on the event of his first death anniversary. Over a year of the pandemic has flown by t...
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Lal Ghaas Par Neela Ghodha: The Irrfan I knew
Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and “maal” addas, writes Sharad Raj The year was 19...
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Usha Dixit talks television
Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the past, Usha Dixit, and ropes her in for a stunning conversation. Writer Us...
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When care becomes a nightmare…
A sinister drama brings alive the terror of care and its corporate nightmarish possibilities, writes Janaky Sreedharan That tagline of concern ‘take care&...
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This is what we voted for!
I woke up this morning to another depressing set of news headlines, writes Anupama Mandloi Each news article brings with it anxiety and doubt. 'Should I trust this as credi...
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Those Guilty Pleasures
Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today. For the most part, New Age Bollywood has realized the importan...
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A genius having mastered many arts: Satyajit Ray
Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary Satyajit Ray’s hundredth birth anniversary comes close; wha...
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The Joy of Photography
Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see through the naked eye and grab the moment. Quit...
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Jai Siya Ram…
Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the political playground recently. I woke this morni...
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