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Nidravatwam: Between sleep and wakefulness
Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized by Veena Pani Chawla in whose remembrance Adishakt...
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Grandma Dearest
Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cinema. She was just seventeen. And her life brimme...
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Speak, for your lips are still free…
As Eid-ul-Fitr is to be observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, who was a direct descendant of Su...
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Those Fashion Classics
Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are made of. Incredible but true, it’s the movies...
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TOUCH OF JOY: JOY BIMAL ROY
I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy’s childhood memory and as an ...
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The Forgotten History of Human Civilization
Shantanu Ray Chaudhuri: A film based on a Badal Sircar play is rare. Rare still is a debutant filmmaker adapting one. That too in a moribund film industry. Which is what makes...
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SMOOCH: Bollywoods Shaky Affair With The Kiss?
Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the coochie-cooing birds and swaying flowers to awkward sn...
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Reasons For My Angry Song
\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous and full of grace towards them. Demolitions in a d...
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Scent of a Killer
Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but commands a cult following today. When producer ...
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Satyajit Ray: The man who knew too much
In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Shantanu Ray Chaudhuri writes on t...
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