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Thought Factory

FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion in India. Drishyam 2 is Cine-India 2022’s l...

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Gender

“ME & HOUSE WORK? ARE YOU NUTS ???”

Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera Bharat Mahan a reflection of all that is truly mah...

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Alternative Entertainment

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....

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Bollywood

Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous swag and style. Newcomers kickstart their careers...

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Trending

WE THE PEOPLE!

Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertainment is doing to young Indian minds. On this Hu...

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Business and Politics

Government in Hibernation - Lay-offs Rampant

Instead of preparing the youth for difficult times ahead, the government of India is leading them into uncertainty by giving false hope, writes Satyabrata Ghosh. Amazon,...

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Thought Factory

WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from those who view cinema as pure entertainment and ...

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Powerful People

URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersive experience with this collectors piece for scree...

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Thought Factory

Art of Lines & Commas

Khalid Mohamed in conversation with Ashok Namdeo Hinge, calligrapher, graphic designer and abstractionist, well-known for the creative use of lines and commas in his multiple ...

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Alternative Entertainment

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...

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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama ...

June 14 2026

OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father...

June 14 2026

ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of An...

June 13 2026