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OHH MY DOG: LOVE, LOYALTY, LOSS
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INDEPENDENT CINEMA FINDS ITS AUDIENCE
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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE
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GOODBYE SHATTERS THE NARRATIVE GRAMMAR
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REBUILDING CONFIDENCE AFTER CAREER BREAKS
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IDENTITY, EXILE, MEMORY AND DEATH
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SUBHASH CHANDRA: THE MAN BEHIND ZEE
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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE
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DINESH RAHEJA’S POETRY OF LONGING
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HOW AIRTEL'S SOUND BUILT IDENTITY
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Thought Box
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BHARATMATA BROUGHT BACK TO LIFE!
Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema culture, and working-class nostalgia while highli...
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HUSAIN’S JOURNEY THROUGH HIS MUSES
That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the little-known facts about the master artist M.F. Husain’s constan...
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WAR AND PEACE IN CONFLICT
In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace, questioning power, profit, iden...
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GUJARATI THEATRE PASSION AND PERFORMANCE
Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emotional connection with audiences ...
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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS
Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? Monojit Lahiri attempts an insightful che...
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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON
Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic that introduced Fearless Nadia, a female action icon whos...
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ADAMYA REVIEW BY SAIBAL CHATTERJEE
Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterjee. Set in the Sunderbans, the political thriller follows...
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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE
In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, cinema and television, speaking about artistic integrity, ...
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SAFAR MEIN SHAHAR: CITY AS CHARACTER
Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai emerges not merely as a setting but as a living character shaped by memory, m...
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A LAST CALL FOR THE PLANET
In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritual challenge, urging humanity to embrace ecological conve...
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