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TWO POWERFUL THEATRE REFLECTIONS
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Thought Box
Where there is no will, there is violence
Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery, is spreading violence and fear among minorities. Earlier this week a ...
Read MoreThree Colours: Red - A celluloid poem
Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts about it. After watching Krzt...
Read MoreDisconnected democracy
Gautam Benegal discusses the twin pronged strategy applied by the present union government to establish absolute dominance. Do you see the connection between the advantageo...
Read MoreUsha Ganguly: A Curtain-Call
Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of having worked with her and her theatre company Rang...
Read MoreManush Bhalo Nei: Anupam Roy with Cizzy
Anupam Roy’s new single, featuring young Bengali rapper Cizzy, weaves in the COVID experience with some telling political commentary. The singer-composer duo spoke to Sh...
Read MoreThose magical tours
Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier’s High School’s Scout Master Homi Lala. &n...
Read MoreA dog, a boy and a film: Musings on Kala
Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its display on screen in the name of settling certain ...
Read MoreSigns of the times: India’s battle for its soul
Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS and Ruskin Bond’s verse. For several minut...
Read MoreRediscovering a Genius Artist
Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now documenting the art of Walter Spies whose life in Bali ...
Read MoreMise en scene: a metaphysical expression
Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and intellectual. The dictionary definition of mise ...
Read MoreTWO POWERFUL THEATRE REFLECTIONS
Sohaila Kapur reflects on two compelling theatre experiences — the experimental st...
May 13 2026THE STING BEHIND BOLLYWOOD PAPARAZZI
Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the c...
May 12 2026MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY
Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of thr...
May 11 2026