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Shyamal Uncle turns off the lights
In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 film. After the death of Ritwick Ghatak and Satya...
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Sunil Shanbag: A Theatre Yatra!
Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting telling of her story. All the world’s a stag...
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Sunil Shanbag: A Theatre Yatra! Part 2
Aparajita Krishna continues telling the story of Sunil Shanbag from where she left it in Part 1 &...
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Signs of the time: The politics that ‘meats’ the eyes
Humra Quraishi discusses the divisive politics being played by right-wing forces and the relentless efforts being made to create rifts between Hindus and Muslims. With more...
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Literary landmark in world fiction: Kabuliwala
Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, towards each other, among people from diverse origi...
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Half a lifetime: Rahul Vohra
It’s a dress-circle view that Vinta Nanda brings, of what half a lifetime of a truly creative person appears to be – it’s Rahul Vohra onstage in this theatre...
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Signs of the time: Who is accountable?
Humra Quraishi recalls her brief meeting with Dilip Kumar and Saira Banu and worries for the state of prisoners in our jails awaiting trial. As I was about to fil...
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DILIP KUMAR: THE BIG BURGLAR
Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh Pandey What makes Dilip Kumar so ines...
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Adil Hussain: The Uncrowned Czar of independent cinema
Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain. The posters and the images on social media confused me. I was wondering w...
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Sita Rattan: Her blue and yellow moments
Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from. Sylvia Plath captures the unsettling mood of a de Ch...
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