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Thought Box
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Kitu Gidwani: Distinctly Yours!
Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well etched repertoire of work across so many years. ...
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The films of Maya Deren
Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes Devdutt Trivedi The actor embodies the M...
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Jhappi-pappi and all
Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when he was in Dhaka. I remember I was in Dhaka...
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And a New Year is about to begin…
It is the good times of the past that inspire us to look forward to the coming year, for there is little in the events of 2021 that give any confidence, writes Humra Quraishi....
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The Indian ‘New Wave’ for the Millennial
Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from about 50 years ago, writes Prof....
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Of egoistic Indian men and Mulk Raj Anand
Humra Quraishi remembers Mulk Raj Anand on his birth anniversary and what he had said about Indian men consumed by superiority complexes. Christmas is just about a week away ...
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Dark Humour Now
“What did we do without mobile phones?” is the buzz question of the chatterati of the West and of the chapaterrati of India, writes Farrukh Dhondy The question al...
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I want to work on daydreaming: Sadiya Siddiqui
Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell. Sadiya Siddiqui carries in her petite, fragile frame an im...
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More Sinned Against Than Sinning!
Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. Art. Realism. Truth. Vision. Commitment. Belief. For years, a section of a “niche”...
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The Unending Tragedy
Humra Quraishi views the conditions prevailing for the convicted and undertrials in Kashmir through the lens of writings about them. Perhaps, it is for the very first time th...
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