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Thought Box
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THE THESPIAN: SUREKHA SIKRI
Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna I start with a disclaimer. This article dares not and canno...
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Merely because the act is horrific…
Humra Quraishi recalls the horrors of the 2002 riots in Gujarat in wake of the release of the convicted rapists and murderers of the Bilkis Bano case. Bilkis Bano was gangrap...
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ACTING IS “LYING FOR A LIVING!”
Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlon Bando! The Reluctant star! Hollywood-basher! T...
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The lives of Freda
Humra Quraishi visits Andrew Whitehead’s book ‘The Lives of Freda - The Political, Spiritual and Personal Journeys of Freda Bedi’. I do believe in des...
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LET THERE BE MUSIC
Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-fresher composer A.R.Rahman with Roja, Thiruda Thiruda ...
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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE
Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality being… acting! Dilip Kumar and Balraj Sah...
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A Border Love Story
Khalid Mohamed narrates the bittersweet tale of meeting his aunt, the major Pakistani filmstar Zeba Ali and her equally famous husband Muhammad Ali, when such reunions were po...
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NSD & Bollywood
Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue. “Do you really need to learn acting to make a name or big bucks in Bol...
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People Of Aligarh
Although the word ‘Aligarh’ shoots up images of only the University, there is more to that town, writes Humra Quraishi Though in the recent years ther...
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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna. Working on the questionnaire of some people can itself beco...
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