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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna. Working on the questionnaire of some people can itself beco...
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A ROTI PLEASE!
One of the foremost signs of failing governance is that many more poor people are dying of hunger and malnutrition, writes Humra Quraishi I can’t get over the video of ...
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Our Godpapas
Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on Indian cinema. The Indian Censor Board wasn’t k...
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FLASHBACK & FORWARD
Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Krishna This article carries a flashback ...
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Is a woman incomplete if she's not a mother?
Monojit Lahiri unfolds a poignant real life story of how a student of his overcame society’s regressive gaze upon her because she could not bear children. "Hello?" the ...
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Imagination: The fodder of existence
An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar Set up and pay-off has always been at the helm of narrative fiction dealing with d...
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Only About Ground Realities
YASHWANT SINHA, choice of the opposition parties as the next President of India, is rational; he talks about ground realities with conviction and passion, writes Humra Q...
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‘You Want Crorepati Glasses?’
It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the ever-ballooning influence of Bollywood on our da...
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Srijit Mukherji: A Filmmaker at a Crossroad
Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri looks at his recent releases and catches up with ...
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ILA ARUN: GIVING VOICE TO LIFE
Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna Over the decades she steadfastl...
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