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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Thought Box
ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED
Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been banned for depicting the poverty in India from a ...
Read MoreKALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of books, Harinder Baweja’s They Will Shoot Y...
Read MoreBUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!
From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pandey — the man who gave Indian advertising it...
Read MoreTHOUGHT FACTORY: CREATION BEGINS WHERE OPINION ENDS
Art is born from surrender, not control. While opinions about art come from privilege and position, creation emerges from vulnerability and courage — it’s time cri...
Read MoreALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE
Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed shares some of his hidden delights tucked away in the ...
Read MoreALTERNATIVE ENTERTAINMENT: A STITCH OF KINDNESS
Ajay Govind’s Basanti Tailors, produced by Drishyam Films in association with the Azim Premji Foundation, continues to charm global audiences — a gentle tale from ...
Read MoreTHOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING
From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores why thirty years on, Indians still dream of love in...
Read MoreRETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA
Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic contrast that defined devotion, dest...
Read MorePOWERFUL PEOPLE: THE QUESTION UNANSWERED
As India celebrates the birth centenary of Dr. Bhupen Hazarika, the Bard of the Brahmaputra, Utpal Datta recalls a poignant conversation that revealed the man behind the legen...
Read MoreALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME
When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic culture and its growing obsessi...
Read MoreRAMAYANA NEEDS MORE EMOTIONAL DEPTH
Epic Spectacle, Elusive Soul: Why the New Ramayana Needs More Heart. Piyush Roy examines...
November 10 2026RAMAYANA PART ONE: EPIC RETELLING
An epic retelling on a canvas of unprecedented ambition by Arnab Banerjee: Nitesh Tiwari...
November 8 2026THE NEW BUSINESS OF ENTERTAINMENT
When Brands Become The Storytellers: The New Business Of Entertainment: Vinta Nanda expl...
November 7 2026