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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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In The News
BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?
Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? Monojit Lahiri seeks the answer. I remem...
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Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Naresh, stars Geetika Tyagi, and Vin...
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Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi Theatre on 3rd March 2024. The ti...
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Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that most today believe, love has an expiry date. Lo...
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Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and Parveen in BR Ishara’s Charitra (1973), but...
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Read MoreRAMAYANA NEEDS MORE EMOTIONAL DEPTH
Epic Spectacle, Elusive Soul: Why the New Ramayana Needs More Heart. Piyush Roy examines...
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An epic retelling on a canvas of unprecedented ambition by Arnab Banerjee: Nitesh Tiwari...
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