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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE

Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...

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LENSED BY SAHIR RAZA, APURVA GOURI SINGS TO GAUHAR RAZA’S LYRICS & ZICO A.KA. SOUTRIK CHAKRABORTI’S TUNE

The theme song for the Mere Ghar Aa Ke To Dekho campaign, in the voice of Apurva Gouri, written by Gauhar Raza and directed by Sahir Raza was r...

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Pre-Partition Punjab’s Contribution To Indian Cinema

Professor Ishtiaq Ahmed delves deep into the Partition phase. And here comes in focus the leading artists and creative folk who had to shift base from Lahore, writes Read More

Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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Star! Music Director! Singer!... Lyricist.

Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...

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The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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