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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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THOUGHT FACTORY: ESCAPING THE HEAT

Why do hill stations reign as the best travel destinations during summer? Vinta Nanda explains and offers ideas for you to pla...

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POLITICS: INJUSTICES AND MISINFORMATION

Humra Quraishi comments on the troubling times lying ahead because accountability and transparency usually practiced by author...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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BOLLYWOOD: SUCHITRA SEN, BENGAL’S QUEEN OF HEARTS

Monojit Lahiri remembers actress Suchitra Sen, the charismatic superstar who ruled the screen for 25 years, before vanishing f...

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TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

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