Sunil Shanbag: A Theatre Yatra! Part 2

Aparajita Krishna continues telling the story of Sunil Shanbag from where she left it in Part 1

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Literary landmark in world fiction: Kabuliwala

Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, to...

Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

Sign of the times: This is the darkest hour

Humra  Quraishi revisits her conversations with Saira Banu and Khushwant Singh, both of whom had predicted that the times...

Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

Signs of the times: Nothing’s right

Humra Quraishi says that the signs of fascism are spreading, yet as mute spectators we sit quiet and subdued.

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